The producers of Olivier-nominated international stage sensation THE CHOIR OF MAN are delighted to reveal details of the new company who will re-open the hit musical at the Arts Theatre from 12 March, following a period of closure for some minor venue redevelopment, and play an extended season through until 31 August.

The new cast is Jason Brock (Thriller Live – lead vocalist, Lyric Theatre and Shaftesbury Theatre) as ‘Romantic’, Benji Lord (Dreamboats and Petticoats: Bringing on Back The Good Times!, world premiere, UK tour, The Ruff Tuff Cream Puff Estate Agency, world premiere, UK tour) as ‘Joker’, David Booth (The Threepenny Opera, Royal Philharmonic Choir, Fiddler On The Roof, Grange Park Opera, BBC Proms at the Royal Albert Hall) as ‘Pub Bore’Paul McArthur (Tracks, Union Theatre, Elegies for Angels, Punks and Raging Queens, Camden Fringe) as ‘Poet’Oliver Jacobson (Come From Away, UK tour, Grease, UK tour) as ‘Barman’ and Alex Mallalieu (As You Like It, UK tour, Buddy Holly & The Cricketers, UK tour) and Toby Francis (High Fidelity, Hayes Theatre Co., We Will Rock You, Neil Gooding Productions) as swings.

The new members of the cast join pub regulars Rob Godfrey (Choir of Man – Sydney Opera House) as ‘Beast’Ifan Gwilym-Jones (The Choir of Man, NCL; Australia and Chicago) as ‘MaestroGeorge Knapper (Joseph and the Amazing Technicolour Dreamcoat, UK Tour and The Choir of Man NCL; Canada; Australia; Chicago; Florida and West End) as Handyman with Bradley Walwyn (We Will Rock You, Royal Caribbean; The Choir Of Man NCL and Australia) as Hardman’.  David Shute (Once: The Musical, Barn and The Choir of Man NCL; Chicago; Tampa; Australia; Edinburgh; Coventry) and Tom Carter-Miles (Frankenstein Illyria; The Choir of Man, NCL and West End) both return as swings.

Nic Doodson said on behalf of the producers, “We are absolutely thrilled to be able to go into our fourth year at the Arts Theatre in the heart of the West End and are delighted that the new cast members will have the chance to appear in front of such passionate and engaged audiences”.

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